India's first chess features print magazine published quarterly from Lucknow since 2004 by Aspire Welfare Society.

Friday, March 29, 2013

Candidates R11: Kramnik Trails Carlsen

In Thursday's 11th round of the FIDE World Chess Candidates' Tournament 2013 Vladimir Kramnik moved to second place. Russia's number one beat Teimour Radjabov (Azerbaijan), while Levon Aronian (Armenia) lost to Peter Svidler (Russia). Drawing his black game with Alexander Grischuk (Russia), Magnus Carlsen (Norway) kept his half point lead in London with three rounds to go. Vassily Ivanchuk (Ukraine) and Boris Gelfand (Israel) played a very quick draw. 


Designed by world-renowned Pentagram Design, the playing zone in the IET’s Lecture Theatre has a lower middle area and a higher area at the back. It is there where the arbiters stay and where the players are getting their food and drinks during the game. As became clear at the start of the 11th round, chess players aren’t really used to such a split-level room. Vassily Ivanchuk slipped and almost fell down, hurt his left ankle and had to treat it with some ice. (Now he’s fine.) At the press conference his opponent, Boris Gelfand, said that he too almost fell down in one of the previous rounds, plunged in thought about his position!



The encounter between Ivanchuk and Gelfand was in fact the shortest game of the tournament so far. In a Grünfeld, the two started repeating moves right after the opening, and agreed to a draw at move 17. It was a bit of a theoretical duel, as Ivanchuk repeated his Bf4 system which he adopted against Carlsen in the fifth round, Gelfand deviated on move seven and then the players followed the game Fridman-Kramnik, Dortmund 2012 until move 11. “It’s not easy to play if you don’t know it because it’s a very sharp position and both pawns are hanging. I think Vassily found a good solution to be safe,” said Gelfand. Ivanchuk: “I remember that Fridman played 12.Qb3 but I didn’t analyse it.”


Gelfand showed a few variations on the laptop in the press room, and said about the final position: “White can never be worse here. I think as a player who played Catalan all my career, I like generally White’s possibilities with this bishop on the big diagonal.” Asked about the historical importance of this Candidates’ Tournament, Gelfand said: “Tournaments like these are a milestone. Unfortunately recently I feel that the respect to the players is dropping, maybe because of computers. People think ‘OK, he didn’t see this move, the computer shows 0.65’, and they tend to respect players less. But of course such a tournament is fantastic. It’s wonderful to play here.”

Candidates R10: Carlsen in Sole Lead

Magnus Carlsen kept his half point lead in Round 10 of the FIDE Candidates’ Tournament in London. On Wednesday the Norwegian ground down Boris Gelfand (Israel) with White in a Rossolimo Sicilian. His main rivals also won: Vladimir Kramnik (Russia) admitted that he was lucky as in a drawish Berlin Endgame Alexander Grischuk (Russia) blundered in time trouble, while the opponent of Levon Aronian (Armenia), Vassily Ivanchuk (Ukraine), overstepped the time limit for the fourth time in this tournament, after playing well in a Budapest Gambit. Dejected about his score with White so far, Teimour Radjabov (Azerbaijan) went for a quick draw against Peter Svidler (Russia) in a Grünfeld. 
 

An hour and a half into the 10th round, the game between Teimour Radjabov and Peter Svidler was already over. It’s about time to quote commentator Nigel Short’s description of such games: it was a damp squib. Having repaired his Grünfeld after his loss against Kramnik (“It wasn’t that broken, to be honest” – Svidler), the Russian grandmaster again went for his favourite defence but his opponent did manage to surprise him with his 16th move. This “either caught me by surprise or I simply couldn’t remember what my notes say,” commented Svidler, who continued playing sensible moves.
 

All of a sudden Radjabov started repeating, as early as move 19. At some point Svidler walked away from his board in his own time to get himself a cup of tea. “The longer he thinks, the more likely he’ll agree to a draw!” said Nigel Short. And indeed, Svidler did accept Radjabov’s silent draw offer, arguing: “I don’t believe I’m better, I couldn’t find any advantage after both 21…Qc3 and 21…Qa3.”

Radjabov: “Considering my amazing score with White in this tournament (…) I decided that a draw is a very nice result. I am not the guy who is here to lose all my games. I thought that if Peter would play for a win I would also play for a win because there would be no other chance. There were times in my life when I was very unsatisfied with a draw but now I think a draw is an amazing result sometimes!”

Another hour and a half later, Alexander Grischuk resigned his game against Vladimir Kramnik, who again brought back memories from his match against Kasparov in London by playing his favourite Berlin Ending. “The openings I played back in 2000 are working very well for me,” Kramnik said, “but although I score well in this Berlin, in fact I hadn't won a single classical game in it, only rapid and blitz.”
 


The 14th World Champion reached a comfortable position by “playing just theoretical moves”, and around move 25 it was “quite drawish”. Kramnik: “27…Bf5 was a clever move, there were a few traps.” Meanwhile Grischuk, who described his position after the opening as “awful”, was getting into time trouble. “I was not happy to get this position and just defend. I didn’t know what to play.”

30.Bxd4 was “an awful blunder” said Kramnik: “In general I was quite lucky; it should have been a draw. It’s quite unusual for me to score half a point more out of nothing. Usually I give up points. For me it's rare that somebody blunders. It was just a present. I am not used to these kind of things. There are some players who are receiving this kind of presents quite often, but not me.”

Vassily Ivanchuk was also bringing back memories, but of a totally different kind. Against Levon Aronian the Ukrainian overstepped the time limit, for the fourth time already this tournament. By now we just have to mention German grandmaster Fritz Sämisch (1896-1975), who at the age of 73 played two tournaments, one in Büsum, Germany and another in Linköping, Sweden, where he lost all games (fifteen in the former and thirteen in the latter) on time.

Ivanchuk’s opening play, however, is still as unpredictable as ever. “[He’s] known to play any kind of opening so I just decided not to prepare much, keep my head fresh,” said Aronian, who faced the rare Budapest Gambit this time. The Armenian felt he played “a bit imprecise” in the early middlegame, but after he found a double pawn sacrifice (going from one up to one down), the tables turned. “After 26.g4 I have very good compensation. I was actually quite happy with my position,” said Aronian.By then Ivanchuk was yet again in horrible time trouble: after his 27th move he had two and a half minutes left, and then his moves just didn’t get through anymore. With playing 29…gxf5 (a losing move anyway) he left himself with just one second for eleven moves! Aronian: “I’m happy to kind of recover after a loss against Boris. Let’s see, let’s see. Still many round to go!”

Magnus Carlsen then became the third winner of the day, slowly grinding down Boris Gelfand from a Rossolimo Sicilian. According to the Norwegian, after the opening “White is slightly better but it's of course very playable for Black.” After some forced moves Gelfand went for the manoeuvre Qd8-b6-b3-c2 where computer engines prefer the passive 20…Qf8. “What computers are missing is that the whole concept was to get the queen active and to keep the white pieces paralysed. But I just missed one thing,” said Gelfand. That thing was a deep tactic which forced the Israeli to change his intended plan (Ra8-a1) and find something else at move 25. There were many ways to defend in that phase, and after the press conference Gelfand stayed around for about ten minutes, analysing blindfold with Jon Speelman and some journalists.

Carlsen said that after his neat 28.Qa5! “it’s clear that I’m playing for two results” and he was happy with his 37.Qe2! as well. “I’m happy to still be leading so I think I’ll just try do more of the same. I wasn’t thrilled that the other two guys won their game but there’s nothing you can do about that. And… I wasn’t sure that the Budapest Gambit was what I wanted to see but I think I can only change what I do myself! I just try to play and that’s what I’ll do for the rest of the tournament.”

After ten rounds Carlsen is leading with 7 points. He’s followed by Aronian (6.5) and then Kramnik (6). Then there’s a gap with: Gelfand, Grischuk and Svidler who have 4.5 points. Ivanchuk and Radjabov are in last place with 3.5 points. On Thursday, March 28th at 14:00 GMT with the tenth round: Grischuk-Carlsen, Kramnik-Radjabov, Svidler-Aronian and Ivanchuk-Gelfand.

(Official website report by 
Peter Doggers and Photos by Anastasiya Karlovich)

Wednesday, March 27, 2013

Carlsen Survives Kramnik: Video

Here's the press conference video featuring Magnus Carlsen and Vladimir Kramnik after their amazing game in Round 9 at the London Chess Candidates 2013. A draw - coming back from a lost position - gave the World No. 1 sole lead in the tournament. Five more rounds have to be played. The host is Anastasiya Karlovich. Play resumes today - Wednesday, March 28 - and you can watch live at the official website from 7.30 pm India time.

Alekhine Chess Memorial from April 20

The Alekhine Memorial International Chess Super-Tournament – which begins on 20th April at the Louvre Museum in Paris – will open with a concert by Russian pianist Nikolai Lugansky. The distinguished pianist has selected a programme of works for the Alekhine Memorial by Russian composer Sergei Rachmaninoff. Mr Lugansky believes there are a number of parallels between Rachmaninoff's career and the fate of Russia's first World Chess Champion.

“The idea of linking chess and art appeals to me. It was something first tried at the match between Anand and Gelfand held at the Tretyakov Gallery in Moscow” said Mr Lugansky. “I'm really pleased that the concept is gaining ground. The tournament celebrating the great Master being held at the Louvre and at the Russian Museum is a splendid event – not only for chess, but for culture as a whole.”

“Alekhine was always my favourite chess player, even in my childhood. I was impressed by his ability to find the thread for a combination of almost any position. The quadruple World Champion viewed every chess game as a work of art – as a chess fan, that way of thinking of things is very close to my own”.


Nikolai Lugansky stressed that his choice of Sergei Rachmaninoff's works in his programme for this event is far from coincidental. “There are many parallels between the life of the great Russian chess player, and the great Russian composer. Both Alekhine and Rachmaninoff were Russian by birth, but emigrated from the country – and both won world acclaim. Both of them made phenomenal contributions to world culture, and both represented Russian culture brilliantly. The Alekhine Memorial Tournament is certain to underscore Russia's worldwide cultural standing” Mr Lugansky observed.

As has been already reported, the Alekhine Memorial International Chess Super-Tournament will take place in two stages, from 21st April to 1st May, in Paris and St Petersburg. The tournament is organised by the Russian Chess Federation, with the supports of businessmen Gennady Timchenko and Andrei Filatov. The upcoming tournament will be a chance for chess fans all over the world to appreciate Russian culture more widely.



Alexander Alekhine (1892–1946)
Born in Moscow on 19 October 1892, the first Russian World Chess Champion Alexander Alekhine was the son of a State Duma deputy, marshal of the Voronezh nobility, and the owner of huge black-earth estates in Central Russia. Alekhine graduated from the St Petersburg School of Law in 1914. That same year, he became one of the world’s strongest chess players, placing third at the prestigious St Petersburg chess tournament, after the then-reigning World Champion Emanuel Lasker and before the future Champion José Raúl Capablanca.

Alekhine was playing at a tournament in Germany when WWI broke out. He was arrested and thrown into a German prison; upon his return to Russia, he signed up as a volunteer with the Red Cross. Alekhine was twice contused on the Galician Front, carried the wounded from battlefields, was decorated several times and was nominated for the Order of Saint Stanislaus with Swords. He became the first Chess Champion of the USSR in 1920, before leaving Soviet Russia in 1921 for France, where he became a citizen in 1925.

In 1927, Alekhine defeated the “invincible” José Raúl Capablanca in a match for the World Champion title. He dominated the chess world for several years after that, winning major tournaments at a big advantage over his rivals. In 1935, he lost a match to Max Euwe, only to defeat the Dutch Grandmaster two years later in a return match and to remain undefeated until his death.

In 1939, during the chess Olympics in Buenos-Aires he called for the German team to be disqualified because of the German attack on Poland. After the Olympics he performed charity games, with funds going to the Polish Red Cross. In 1940, he joined the French army, which brought many complications to his life in occupied France.

Alekhine died in Portugal in 1946, on the eve of an announcement that his World Championship match against Mikhail Botvinnik would take place after all. Alexander Alekhine was the only World Chess Champion to die undefeated.

The Russian Chess Federation is a membership-based, voluntary, all-Russian public association made up of chess federations of the republics, territories, regions, federal cities, autonomous regions, and autonomous districts. It operates throughout the Russian Federation, its goal being to develop chess in Russia and to represent the interests of chess players who are members of the Federation both in Russia and abroad. 


The Louvre Museum is one of the world’s largest museums, covering an area of 160,000 m2. The exhibition halls themselves occupy 58,000 m2. Its collections have more than 300,000 items. The Louvre was the first museum to open its doors to the general public in 1793. Every year, more than 10 million people visit the Louvre. The museum’s collection consists of departments for the Ancient East, Ancient Egypt, Ancient Greece and Rome, Artefacts, Sculptures, Fine Art, Graphic Art, and Islamic Arts. In February 2013, the Louvre museum signed an agreement with Russian businessmen Gennady Timchenko and Andrei Filatov to open an exhibition of Russian art in France’s most prestigious museum. 


The State Russian Museum, the country’s first state museum of Russian fine arts, was founded in 1895 in St. Petersburg by decree of Emperor Nicholas II. It was officially opened to visitors on 19 March (7 March by the old calendar) 1898. The Russian museum’s collection currently includes over 400,000 exhibits and covers all historical periods and development trends of Russian art, all main types and genres and areas of over more than 1,000 years (from the tenth to the twenty-first century). The main exhibition is housed in the Mikhailovsky Palace and the Benoit Building, which forms part of the palace ensemble. In addition to the Mikhailovsky Palace, the Benoit Building and the Rossi Wing, the museum complex includes the Marble Palace and the Stroganov Palace, the Mikhailovsky (Engineering) Castle, as well as unique garden and park ensembles – the Summer Garden and Summer Palace of Peter I and the Mikhailovsky Garden.

Gennady Timchenko has been Chairman of the Economic Council of French and Russian Businesses of the Franco-Russian Chamber of Commerce and Industry (CCIFR) since December 2011. His family has been involved in charitable work both in Russia and abroad for more than 20 years. The Key Foundation, which works to help families with adopted children, was set up in 2007. The Neva Foundation was founded in 2008 in Geneva to support scientific and cultural cooperation projects between Russia and Western Europe. The Ladoga Charitable Foundation was created in 2010 to support the older generation, children’s sport and the revival of Russian spirituality.

Andrei Filatov is an entrepreneur and a member of the Economic Council of the Franco-Russian Chamber of Commerce and Industry (CCIFR). He is actively involved in philanthropic work and is financing a number of humanitarian programmes. He set up an art fund to trace and collect works of Russian and Soviet artists from the period 1917–1991 which have been taken out of Russia. The fund aims to promote awareness of this artistic period through the publication of catalogues and the organization of exhibitions. Andrei Filatov supported an exhibition of works by the Russian émigré artist Nikolai Fechin at the State Tretyakov Gallery and is currently preparing an exhibition of Mikhail Nesterov to mark the 150th anniversary of this outstanding master of Russian painting.

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